Eva Papamargariti - A whisper, a murmur, a roar, 2024 - Condominio Maria, Ortisei

Eva Papamargariti, A whisper, a murmur, a roar, 2024. Three-Channel HD Video, Color, Sound, 9’. Commissioned by Biennale Gherdëina 9. Supported by LUMA Arles. Photo by Tiberio Sorvillo

Eva Papamargariti adrova de plu mesuns per ti jì do ai pruzesc simbiotics y ala dependënza l un dal auter danter persona, natura y tecnologia. Si lëur rejona dl mumënt te chël che l’ert grotesca, la finta y l realism pëta adum, ntan che nosc ambient se dlëiga tl virtuel, tla vita da uni di y tl straurdiner. Te Strong, Feeble, Unfixed (2002) che ie n’opra che se stiza sun la augmented reality ti va l’artista do ala nozion de entropia y al “deventé” cun n corp ibrid che ie tresora n trasfurmazion danter creazion y decadënza. Chësc corp ncherscëul ti semea n iede a na persona, n iede a na planta o a n lën y n iede a n fossil feter che vën da n tëmp nia determinà.

Per The Parliament of Marmots à Eva Papamargariti realisà n lëur nuef, na nstalazion video a trëi canai cun tonn che ie unida metuda ora te n garage tl raion da jì a pe de Urtijëi. L argumënt dl’opra ie la dialetica ncherscëula dla natura salvera a chëla che l’artista ti va permez mudan ju imajes fates tres computer cun imajes reéles. Sce n ti va do ala storia da na perspetiva nia umana, ie l pont de ududa chël de na creatura mitologica che ti semea a na chimera che vën bel plan cherdeda adalerch te n bosch da n mpuls misteriëus. Si viac de trasfurmazion danter mucé y jì de reviers ala natura salvera vën acumpanià da rituai de estasa che la porta for de plu te cundizions ulache la se pierd, la ie spirteda, la va a slonder y la ie cunfusa. Chi sons’a nëus te chësc “mond nzaul d’auter” che ie la natura salvera? Per l’artista cuntën l’idea de se pierder sibe l dejidere che la tëma dal scunesciù y si opra nes damanda ora sun coche pudon mparé a nes lascé “perseghité” dal bosch. (S.G.)

EVA PAPAMARGARITI

Eva Papamargariti (1987, Larissa, Greece) is based between Athens and London. Her works delve into the relationship between digital space and material reality exploring the construction and shifting of our identities, avatars, vernacular language/imagery and worldbuilding. Recent exhibitions include New Museum, Whitney Museum, Museum of Moving Image and MoMA PS1, New York; Tate Britain, London; EMST - National Museum of Contemporary Art and Benaki Museum, Athens; MAAT Museum, Lisbon; Museum of Contemporary Art, Montreal; Athens Biennale; Thessaloniki Biennale; MUTEK; Transmediale Festival, Berlin; Kunstraum Niederostereich, Vienna. She has been invited as a resident artist at LUMA Foundation in Arles, and at the New Now residency at Zollverein. Her work is featured in public and private collections such as Dakis Joannou Collection (Deste Foundation), Onassis Foundation, PCAI Collection, MOMuS collection and more.

Eva Papamargariti - A whisper, a murmur, a roar, 2024 - Condominio Maria, Ortisei

Eva Papamargariti, A whisper, a murmur, a roar, 2024. Three-Channel HD Video, Color, Sound, 9’. Commissioned by Biennale Gherdëina 9. Supported by LUMA Arles. Photo by Tiberio Sorvillo

Eva Papamargariti adrova de plu mesuns per ti jì do ai pruzesc simbiotics y ala dependënza l un dal auter danter persona, natura y tecnologia. Si lëur rejona dl mumënt te chël che l’ert grotesca, la finta y l realism pëta adum, ntan che nosc ambient se dlëiga tl virtuel, tla vita da uni di y tl straurdiner. Te Strong, Feeble, Unfixed (2002) che ie n’opra che se stiza sun la augmented reality ti va l’artista do ala nozion de entropia y al “deventé” cun n corp ibrid che ie tresora n trasfurmazion danter creazion y decadënza. Chësc corp ncherscëul ti semea n iede a na persona, n iede a na planta o a n lën y n iede a n fossil feter che vën da n tëmp nia determinà.

Per The Parliament of Marmots à Eva Papamargariti realisà n lëur nuef, na nstalazion video a trëi canai cun tonn che ie unida metuda ora te n garage tl raion da jì a pe de Urtijëi. L argumënt dl’opra ie la dialetica ncherscëula dla natura salvera a chëla che l’artista ti va permez mudan ju imajes fates tres computer cun imajes reéles. Sce n ti va do ala storia da na perspetiva nia umana, ie l pont de ududa chël de na creatura mitologica che ti semea a na chimera che vën bel plan cherdeda adalerch te n bosch da n mpuls misteriëus. Si viac de trasfurmazion danter mucé y jì de reviers ala natura salvera vën acumpanià da rituai de estasa che la porta for de plu te cundizions ulache la se pierd, la ie spirteda, la va a slonder y la ie cunfusa. Chi sons’a nëus te chësc “mond nzaul d’auter” che ie la natura salvera? Per l’artista cuntën l’idea de se pierder sibe l dejidere che la tëma dal scunesciù y si opra nes damanda ora sun coche pudon mparé a nes lascé “perseghité” dal bosch. (S.G.)

EVA PAPAMARGARITI

Eva Papamargariti (1987, Larissa, Greece) is based between Athens and London. Her works delve into the relationship between digital space and material reality exploring the construction and shifting of our identities, avatars, vernacular language/imagery and worldbuilding. Recent exhibitions include New Museum, Whitney Museum, Museum of Moving Image and MoMA PS1, New York; Tate Britain, London; EMST - National Museum of Contemporary Art and Benaki Museum, Athens; MAAT Museum, Lisbon; Museum of Contemporary Art, Montreal; Athens Biennale; Thessaloniki Biennale; MUTEK; Transmediale Festival, Berlin; Kunstraum Niederostereich, Vienna. She has been invited as a resident artist at LUMA Foundation in Arles, and at the New Now residency at Zollverein. Her work is featured in public and private collections such as Dakis Joannou Collection (Deste Foundation), Onassis Foundation, PCAI Collection, MOMuS collection and more.